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Maxim Kolomiiets /UA/ 1981

Paths of the Rejected, cantata for female choir, solo soprano and chamber orchestra

Marian antiphons for 12 soloists with percussion and oboe (English horn)

Alma Redemptoris mater

Ave regina caelorum

Regina caeli

Salve Regina


Disappearing voices, for vocal ensemble and electronic, to text by Viktor Rekalo


Anna Korsun /UA/ 1986

Landscapes, for 5 voices

Voce rumori, for 6 voices

Boris Loginov /UA/ 1990

Rite, for 12 voices

Svyatoslav Lunyov /UA/ 1964

Alleluia, for mixed choir

Blagago Tsarya Blagaya Matu, for female ensemble

Mariologia, for mixed choir, harp and percussion:

Alma Redemptoris mater

Ave regina caelorum

Regina caeli

Salve Regina

Holy Week, for mixed choir

The Noel Consort, concert for choir based in traditional carols

Choreography, for 12 voices a cappella

Victoria Poleva /UA/ 1962

The singing mountain, for 12 voices, oboe, vibraphone and stones

Prostospiv, for soprano and women's choir on canonical texts

Alexey Retinsky /UA/ 1986

Antiphonae Marinae, for mixed choir and percussion:

Alma Redemptoris mater

Ave regina caelorum

Regina caeli

Salve Regina

Choirs for Iphigenia in Tauris performance

Maxim Shalygin /UA/ 1985

Antiphonae Marinae, for mixed choir and percussion:

Alma Redemptoris mater

Ave regina caelorum 

Salve Regina

Oil upon your shore, for mixed choir

Blessing, for 8 voices or mixed choir

Sub Rosa, for vocal ensemble and electronic, to text by Robert Frost

Alexandr Shymko /UA/ 1977

Equilibrium, for 4 voices and chamber orchestra

Chronos, for mixed choir and chamber orchestra

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